"My defense of flogging—whipping, caning, lashing, call it what you will—is meant to be provocative, but only because something extreme is needed to shatter the status quo. We are in denial about the brutality of the uniquely American invention of mass incarceration."
The overall record of American fisheries management since the mid-1990s is one of improvement, not of decline. Perhaps the most spectacular recovery is that of bottom fish in New England, especially haddock and redfish; their abundance has grown sixfold from 1994 to 2007. Few if any fish species in the United States are now being harvested at too high a rate, and only 24 percent remain below their desired abundance.
“Facebook runs on a very stiff, crude model of what people are like. It herds everybody — friends, co-workers, romantic partners, that guy who lived on your block but moved away after fifth grade — into the same big room. It smooshes together your work self and your home self, your past self and your present self, into a single generic extruded product. It suspends the natural process by which old friends fall away over time, allowing them to build up endlessly, producing the social equivalent of liver failure. On Facebook, there is one kind of relationship: friendship, and you have it with everybody. You’re friends with your spouse, and you’re friends with your plumber." - Lev Grossman’s profile on Mark Zuckerberg for Time”—Maxistentialism
Snapshots as art photography (in a way still to be clarified) versus snapshots as popular or folk art: this is the great philosophical divide within the field at the moment. It seems rather amazing that something so fundamental is still unclear. What are these things, and what aesthetic value do they have?